Embedding Antiracism In Theatre Organizations Fieldwide
Join TYA/USA, in partnership with Arts in Color, in a national conversation on addressing the racism and oppression that impacts the entire TYA industry in personal, professional, and systemic ways.
How do we reimagine the structures and practices of our theatre institutions in bold new ways? This session will explore the ways in which theatre organizations can make tangible structural changes to embed antiracism across the organization’s culture and practices. Inspired by the growing grassroots Antiracism movement across the regional theatre and unpacking the We See You WAT demands document as a foundation, the session will explore coalition-building among arts leaders towards a more equitable and antiracist theatre ecosystem.
Over the course of a 11-session webinar series we will explore a variety of issues and perspectives regarding the ways artists and organizations can begin to (or further) embed antiracist practice in Theatre for Young Audiences.
In addition to the 11 webinars, participants will be provided with reading materials, resources, follow up questions to deepen their learning, and a Slack Channel for further dialogue. Join colleagues across the country in actively engaging with ways to dismantle racism and white supremacy in the TYA field, and work toward making (or sustaining) meaningful change in creating a truly equitable landscape for our artists, organizations, and our young audiences.
Event Details
Date: Thursday, October 1, 2020
Time: 1:30 – 2:45 PM ET
Cost: Sliding Scale. Visit www.tyausa.org/antiracism for details.
Register Now
Members Non-MembersThis webinar is part of an 11-session series. For more information, visit www.tyausa.org/antiracism.
Speakers
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Stephanie Ybarra
Speaker
Stephanie Ybarra began her tenure as Artistic Director of Baltimore Center Stage in 2018 after serving seven years as Director of Special Artistic Projects for The Public Theater in New York. Her career spans over two decades and includes roles at Dallas Children’s Theater, Dallas Theater Center, Yale Repertory Theater, Two River Theater Company, and Playwrights Realm. Recent awards and honors include the 2018 Nation Builder Award from the National Black Caucus of State Legislators as well as being counted among the Yerba Buena Center for the Arts 2019 YBCA 100. She is on faculty at The Juilliard School and serves on the boards of The Make Believe Association and Citizen University. Stephanie holds an MFA from Yale School of Drama.
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Jacob Padrón
Speaker
Jacob G. Padrón (he/him/his)
Jacob G. Padrón is the Artistic Director of Long Wharf Theatre in New Haven, Connecticut. He is also the Founder and Artistic Director of The Sol Project, a national theater initiative that works in partnership with leading theater companies to amplify the voices of Latinx playwrights in New York City and beyond. Padrón has held senior-level artistic positions at theater companies across the country. He was the Senior Line Producer at The Public Theater where he worked on new plays, new musicals, Shakespeare in the Park, and Public Works. He was formerly the Producer at Steppenwolf Theatre Company in Chicago where he oversaw the artistic programming in the Garage – Steppenwolf’s dedicated space for new work, new artists, and new audiences. From 2008 to 2011, he was an Associate Producer at the Oregon Shakespeare Festival where he was instrumental in producing all shows in the 11-play repertory. Under the guidance of his late mentor Diane Rodriguez, he served as the producer of Suzan-Lori Parks’ 365 Days/365 Plays for Center Theatre Group, a collaboration that included over 50 theater companies to launch Festival 365 in Los Angeles. He is currently on the faculty at Yale School of Drama where he teaches artistic producing in the graduate theater management program. He is also a co-founder of the Artist Anti-Racism Coalition, a grassroots movement committed to dismantling structural racism within the Off-Broadway community. Originally from the central coast of California, Jacob holds degrees from Loyola Marymount University (BA) and Yale School of Drama (MFA).
